ancestorswatching:

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In many cultures, ethnic groups, and nations around the world, hair is considered a source of power and prestige. African people brought these traditions and beliefs to the Americas and passed them down through the generations.


In my mother’s family (Black Americans from rural South Carolina) the women don’t cut their hair off unless absolutely necessary (i.e damage or routine trimming). Long hair is considered a symbol of beauty and power; my mother often told me that our hair holds our strength and power. Though my mother’s family has been American born for several generations, it is fascinating to see the beliefs and traditions of our African ancestors passed down. We are emotionally and spiritually attached to our hair, cutting it only with the knowledge that we are starting completely clean and removing stagnant energy.

Couple this with the forced removal and covering of our hair from the times of slavery and onward, and you can see why so many Black women and men alike take such pride and care in their natural hair and love to adorn our heads with wigs, weaves, braids, twists, accessories, and sharp designs.

Hair is not just hair in African diaspora cultures, and this is why the appropriation and stigma surrounding our hair is so harmful.

sh8-bit-angora:
“ needthisbook:
“ Ten Major Artists:
Wong Wong & Lulu
Pepper examining himself before commencing a self-portrait
Pepper’s self-portrait
Tiger the spontaneous reductionist
Misty goes off the wall
Minnie, the abstract...

sh8-bit-angora:

needthisbook:

Ten Major Artists:

Wong Wong & Lu Lu

Wong Wong & Lulu

Pepper gazing into the mirror before a self-portrait

Pepper examining himself before commencing a self-portrait

Pepper painting his self-portrait

Pepper’s self-portrait

Tiger

Tiger the spontaneous reductionist

Misty in action

Misty goes off the wall

Minnie: abstract expressionist

Minnie, the abstract expressionist

Minnies finished work

Minnie’s Reindeer in Provence, 1992.

Smokey contemplating

Smokey painting after an hour in the catnip patch

Smokey painting after an hour in the catnip patch

Smokey at work

Ginger's 'Stripped Bare Birds', 1992.

Ginger’s Stripped Bare Birds, 1992.

Princess' 'Regularly Ridiculed Rodents', 1993.

Princess, the elemental fragmentist

Charlie the peripheral realist

Charlie, the peripheral realist

this literally makes me so happy

(via raylenequinn)

brydeswhale:

mcloveleigh:

peathefeary:

brunhiddensmusings:

protectblkwomen:

badgyal-k:

meanmisscharles:

lessdanthree:

what drugs were they on when they made this

Cab Calloway rotascoped!

Whoever thought of this was drinking absinthe

Thanks, Now I have nightmares

this was long before cartoons were ever thought of as ‘for kids’, the target audience of this one was roughly 20-40

betty boop cartoons featuring cab calloway singing, yes, but slang has changed so much you dont realize he was singing about opium, sugar daddies, death, weed, sex, booze, and gambling back when gambling was nearly as tabboo as sex and drugs. ‘minnie the moocher’ where cab calloway is a dancing walrus is specifically about someone who does literally everything on that list but die

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most of the animation studios had their ‘thing’ to make their animation stand out, disney had fluid motion linked with quality music, warner brothers had top notch dialogue with carefully crafted facial expressions, MGM had comedic timing down to the individual frame that no live action comedian could dream of achieving, terrytoons had the budget of a ham sandwitch and a fistfull of nickels

fleischer studios however had authentic jazz and heavy toned subject matter, often crossing the line of what we think of as ‘cartoon violence’ into realistic

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idk why this is making me so emotional???

I love this. I’ve always had a love for cartoons

This was what they were trying to emulate with the highway man’s song in over the garden wall.

(via pricklylegs)


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